Black and white
ArtEve
Eva-Maria Horstick analog
Die Kunst des Wesentlichen und strukturelle Sichtung auf mein Archiv...
Die Schwarzweiß-Analogfotografie begleitet mich seit vielen Jahren und bildete früher den Kern meiner fotografischen Arbeit. In einer Welt, die heute von digitalen Bildern überflutet wird, wählte ich lange bewusst den analogen Weg – ein Prozess, der Entschleunigung u. echte Bildtiefe mit Pixeln vereint.
⭐ 1. General Edition
Edition of 10 + 2 Artist’s Proofs
Some photographs are produced by hand 24-30 years ago_ analog black-and-white silver gelatin prints. In 2026 you will get prints on Hahnemühle paper.
Each print is signed, dated and numbered by the artist. The works are created to museum archival standards and are part of a strictly limited edition of 10 prints, complemented by 2 Artist’s Proofs (A.P.) reserved for exhibitions and institutional requests.
⭐ 2. “Hand-Printed in My Own Darkroom” untill 2002
Hand-printed in the artist’s darkroom
This black-and-white print was individually handmade by myself.
The image is printed on classic baryta silver gelatin paper. Each print is developed, fixed, washed, pressed and archivally finished.
Edition: 10 + 2 A.P.
Paper: Silver gelatin on baryta _some in my archive - new ones will be on Hahnemühle paper from white wall.
Signature: signed and numbered by the artist
Eva-Maria Horstick
Abstract
Eva-Maria Horstick
Abtrakte Bausstellen 1999-2025 ff Projekt
more on request please. Israel, Prag, NYC, Berlin u.a. Constructions on my way to my projects in different places
window shopping
2000-2026ff
Photography Project by Eva Maria Horstick ArtEve
Since 2000, German photographer Eva Maria Horstick has been documenting shop windows as stages of contemporary desire. The long-term project Window Shopping 2000–2026ff explores storefront displays as cultural mirrors — reflecting economic shifts, aesthetic trends, social fantasies, and urban transformation.Shop windows are more than commercial presentation surfaces. They are theatrical spaces where light, reflection, and composition merge into visual narratives. Horstick photographs these vitrines not as advertisements, but as psychological landscapes. Mannequins become actors, luxury goods turn into symbols, and glass surfaces transform into membranes between public and private space.Spanning over two decades, the project traces the evolution of consumer culture from early 2000s optimism to post-financial-crisis minimalism, from analog display traditions to digitally enhanced branding environments. Reflections in the glass frequently capture passersby, architecture, and fragments of city life — layering realities and questioning the boundaries between observer and object.Between 2000 and 2026 and beyond (“ff” meaning fortführung / continuation), the series functions as a visual archive of changing urban identities. Cities become backdrops of global capitalism, while the shop window remains a fragile interface between longing and possession. Text S.C. Weiss co.
Mother
analog Photography ArtEve _cutout privat view...
“Motherhood, as it truly is — intimate, imperfect, alive.
An overhead glimpse into everyday life: shared laughter, small hands reaching, a table scattered with traces of a lived moment. Most of the analog images nothing staged, nothing polished — just the raw poetry of the ordinary. Shot on analog film, the image preserves the warmth, the chaos, and the tenderness of real life as it unfolds.” Eva-Maria Horstick
